Thompson writes with clarity, despite the disfigured approach to his writing. Inevitable adaptations ahead, and with Terry Gilliam heading up the project, Fear and Loathing in Las Vegas made its way to the big brains of Hollywood.Īdapting such a vivid piece of literature is no small feat. Drugs, drink and depraved madness made Fear and Loathing in Las Vegas a seminal piece of writing, not just for its vibrant narrative, but the ease of trust readers could have in this drug-fuelled writer and his Samoan associate. The only way to get in and out intact, he realised, was to go in without sense. Thompson’s 1971 literary classic was a storm whipped up deep in the heart of American politics. Screaming down the road in the Great Red Shark convertible, Fear and Loathing in Las Vegas defined one era and disturbed another.
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